Amy Haney Art

Cinque Terre

I really really like this piece. It's a digital print of a photograph I took when in Cinque Terra on some really delicate stringy rice paper. The canvas board was coated with blue colored wax and I left the brush strokes as another layer of texture. Then I attached the digital print with more clear wax. Love the textures and colors. 

Collaboration

This originally was an etching, I believe, that Kate Leonard had made and brought to class at Anderson Ranch. She let us add our own image and manipulation to her light atmospheric piece. I added a couple layers of digital information. One layer was wood grain in gray, then another grain in orange, the last bit was a circular pattern I found walking around the Ranch compound. I really liked that she let us utilize her prints. I probably would have never attempted something like this if she hadn't suggested it. 

The Crane

Thought you'd like to see them all together. Scroll down to see bigger images of each panel. I pieced them together to draw the bird, but broke them down again to make each piece have its own composition. DIG IT!

Crane 4

The last section of the crane pieces. I really like the way the space curves and bends with the purple. Also, I dig the yellow silkscreen on top of the purple-it looks really poppy to me. The best part is the cluster of shells on the wing.

Crane 3

Another section of the Crane...materials used: watercolor, acrylic decal, silkscreen, marker, and poor man's litho. Quite the combination there, eh? There are alot of subtleties in this drawing that I really like, especially that little celtic face.